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Title:Gender and Sexuality in Twentieth-Century Chinese Literature and Society (S U N Y Series in Feminist Criticism and Theory)
Format Type:Ebook
Author:
Publisher:State University of New York Press
ISBN:0791413713
ISBN 13:
Number of Pages:204
Category:Manga

Gender and Sexuality in Twentieth-Century Chinese Literature and Society (S U N Y Series in Feminist Criticism and Theory) by Tonglin Lu

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  • Gender and Sexuality in Twentieth-Century Chinese Literature and Society (S U N Y Series in Feminist Criticism and Theory)

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  • Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction

    This book Home Decor Library - Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction - Written from a feminist perspective this is a cultural and ideological study of modern China as seen in the writing of experimental fiction one of the main atte...

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    This book Home Decor Library - Confronting Modernity in the Cinemas of Taiwan and Mainland China - Despite differences in the political social and economic systems of Taiwan and mainland China the process of modernization in both has challenged traditional cu...

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  • Rose and Lotus: Narrative of Desire in France and China

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  • Slavoj Zizek

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  • Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction

    This book Home Decor Library - Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction - Written from a feminist perspective this is a cultural and ideological study of modern China as seen in the writing of experimental fiction one of the main atte...

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  • From Underground to Independent: Alternative Film Culture in Contemporary China (Asia/Pacific/Perspectives)

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  • Confronting Modernity in the Cinemas of Taiwan and Mainland China

    This book Home Decor Library - Confronting Modernity in the Cinemas of Taiwan and Mainland China - Despite differences in the political social and economic systems of Taiwan and mainland China the process of modernization in both has challenged traditional cu...

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Rose and Lotus: Narrative of Desire in France and China, Slavoj Zizek, Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction, Confronting Modernity in the Cinemas of Taiwan and Mainland China, From Underground to Independent: Alternative Film Culture in Contemporary China (Asia/Pacific/Perspectives), Confronting Modernity in the Cinemas of Taiwan and Mainland China, Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction, Gender and Sexuality in Twentieth-Century Chinese Literature and Society (S U N Y Series in Feminist Criticism and Theory)
Despite differences in the political social and economic systems of Taiwan and mainland China the process of modernization in both has challenged traditional cultural norms Tonglin Lu examines how differences in cultural formation between Taiwan and China have influenced reactions to modernity and how cultural identity has taken different forms on both sides of the Taiwan straits She illustrates how these differences in the experience of modernity are expressed through analysis of paradigmatic films produced in both countries with a particular emphasis on their formal experiments, Written from a feminist perspective this is a cultural and ideological study of modern China as seen in the writing of experimental fiction one of the main attempts to subvert the conventions of socialist realism in contemporary Chinese literature, No description available, Despite differences in the political social and economic systems of Taiwan and mainland China the process of modernization in both has challenged traditional cultural norms Tonglin Lu examines how differences in cultural formation between Taiwan and China have influenced reactions to modernity and how cultural identity has taken different forms on both sides of the Taiwan straits She illustrates how these differences in the experience of modernity are expressed through analysis of paradigmatic films produced in both countries with a particular emphasis on their formal experiments