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Title:Принц Госплана
Format Type:Ebook
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Publisher:eBooks
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Category:Russia, Fiction, Science fiction, Russian literature, Short stories, Contemporary

Принц Госплана by Victor Pelevin

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Generation "". ., Buddha's Little Finger, The Sacred Book of the Werewolf, S. N. U. F. F., , Omon Ra, Empire V (, #1), The Helmet of Horror: The Myth of Theseus and the Minotaur, The Life of Insects, The Yellow Arrow
, The main character Andrei is a passenger aboard the Yellow Arrow who begins to despair over the trains ultimate destination and looks for a way out as the chapters count down Indifferent to their fate the other passengers carry on as usual trading in nickel melted down fro the carriage doors attending the Upper Bunk avant garde theatre and leafing through Pasternak s em Early Trains em Pelevin s art lies in the ease with which he shifts from precisely imagined science fiction to lyrical meditations on past and future And because he is a natural storyteller with a wonderfully absurd imagination em The Yellow Arrow em is full of the ridiculous and the sublime It is a reflective story chilling and gripping br, , Victor Pelevin the iconoclastic and wildly interesting contemporary Russian novelist who i The New Yorker i named one of the Best European Writers Under upends any conventional notions of what mythology must be with his unique take on the myth of Theseus and the Minotaur By creating a mesmerizing world where the surreal and the hyperreal collide i The Helmet of Horror i is a radical retelling of the myth of Theseus and the Minotaur set in an Internet chat room They have never met they have been assigned strange pseudonyms they inhabit identical rooms that open out onto very different landscapes and they have entered a dialogue they cannot escape a discourse defined and destroyed by the Helmet of Horror Its wearer is the dominant force they call Asterisk a force for good and ill in which the Minotaur is forever present and Theseus is the great unknown i The Helmet of Horror i is structured according to the way we communicate in the twenty first century using the Internet yet instilled with the figures and narratives of classical mythology It is a labyrinthine examination of epistemological uncertainty that radically reinvents this myth for an age where information is abundant but knowledge ultimately unattainable